I am a professor of fire ecology, which brings me into contact with nature daily. My deep connection to nature fuels both my research and my art. Inspired by the patterns and resilience I see in the natural world, I carve into linocut to create prints and also work with layers of paint, cutting into them to reveal colorful, intricate designs. My job keeps me busy, so I create slowly, but I treasure how art keeps me grounded and allows me to share the beauty of nature with others. When I’m not working or making art, I’m spending cherished time with my wonderful children and partner.

The art I create is a blend of texture, color, and storytelling. I carve into linocut to make prints on a variety of papers, including pages from books, giving each piece a sense of history and depth. I also build up 40 to 80 layers of acrylic paint on boards, then carve them to reveal vibrant layers beneath, creating intricate, colorful designs. In addition, I experiment with impasto painting and enjoy creating detailed, miniature works on earrings. Each medium allows me to explore the richness of nature and creativity in a tactile, layered way.

My inspiration to create art comes from the beauty of nature, especially the striking transformations brought by prescribed fire in the pine savannas of the southeastern U.S. I’m drawn to the renewal and color fire brings to these landscapes, and that energy often finds its way into my work. I’m also deeply moved by the strength and resilience of women in fire, and my art often reflects this admiration. By staying present and observing closely, I find beauty in all aspects of nature—even in the quiet, overlooked corners of my own backyard.